![]() ![]() ![]() ![]() Textures take on new levels of tangibility, too. Move onto Högni’s rhythm-driven Moon Pitcher and the layers of ambient strands are more cohesively entwined, the new Marantz’s musicality rigorously precise. The dramatic opener of Portishead’s live performance of All Mine comes through with more presence, while the PM6007’s clearer disposition also makes more of the special occasion provided by the accompanying 35-piece orchestra. Marantz has traded some of that smoothness for a bit more oomph, as well as tightened up the bass, and the result is a more spirited presentation. Where it pulls away from the PM6006 UK Edition is in its greater clarity, precision and rhythmic punch. Like its predecessor, it’s about as agreeable a performer as you could ask for at this price. Its sonic character is as familiar as its casework: smooth, full-bodied and balanced, with a pleasing spaciousness. The clearest evidence of the line’s evolution lies in the PM6007’s performance. ![]()
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